We-Support Wednesday: Khecari

Marginalia is two female bodies, intimate, impetuous. A scribbled commentary on the official text of subjectification and objectification, sexualization and desexualization, demonization and domestication. Two women lift, work, sweat, and touch. Claiming the nuanced complexity of female rapport. Things that happen every day. Tiny revolts, unseen, unrecorded. Or a revolt upheld and enlarged by each witness.

“rapid and unrelenting, fearlessly yielding to momentum… the gestures are gentle, yet alarming and incredibly exposed”

-Chicago Reader

“one of the most powerful theatrical experiences I can remember”

-Newcity

Tend + as though, currently in development, are independent companion pieces, imagined as an installation diptych with juxtaposed environments that support the live performance and function as installation art. Both are scheduled for provisional performances in fall 2021.

Tend, is a service based performance experience fulfilling a socially requisite and biologically exigent allogrooming need accompanied with self-care devised movement distractions focused to organize the nervous system, resolve conflicts, and contemplate power differentials all in the motile architecture of a possible post-pandemic convalescence environment.

as though your body were right (and the gentler world mistaken) exists in a micro-theater for four audience members at a time. The curtain rises on a slowly shifting landscape. This is the performer’s body, engaging a palette of micro-movement that draws attention not to the overall human form, but to the cells and tissues of the body as the actors in a movement chorus.


KHECARI’S REDRESS INITIATIVE


As an organization committed to the essential place that art-making holds in our world, Khecari is committed to ethical rigorousness in our behavior and policies, which includes working against all forms of bigotry, and to supporting the personal activism and anti-bigotry efforts of those individuals who comprise Khecari. We are asking, how can we take regular action now but also consider these questions not finished, so that we don’t shelve them as “solved”? In light of ongoing social and environmental unrest, we are working to centralize redress efforts within our ethics through developing ongoing, concrete practices that work everyday to better support our community. More information is available here.

You can donate to Khecari directly through their website https://www.khecari.org/contribute/ or sign up to receive their email updates here .

Choreography: Jonathan Meyer + Julia Rae Antonick Performance: Amanda Maraist + Kara Brody Music: Joe St. Charles + Beltran DelCampo Videography: Aren Viramontes

Flashback Friday: The Better Half

The Better Half is an evening-length, dance-theater spin on the psychological thriller Gaslight, co-created by Lucky Plush Artistic Director Julia Rhoads and theater director Leslie Buxbaum Danzig (of 500 Clown). Launching from this classic film, layers of fiction and reality accumulate, revealing the elusive boundaries between performer and character, actual and scripted relationships, life versus borrowed plotlines. Ultimately a new narrative emerges, capturing the habitual patterns, escapist tendencies, and resilience in contemporary relationships through a complex mix of dance and theater languages. The staging of The Better Half was approached with a commitment to actual experience. The performers are first and foremost themselves. They are assigned characters. The thriller plot is handed to them. The imposed elements cause the performers to react, and their reactions further the plot. Though the staging and choreography are entirely and rigorously composed, the production often feels like it is generated spontaneously in response to various triggers, with space in the performance for real-time reactions to the crafted circumstances. The actual effects on the performers in trafficking between the composed plot and the live circumstances deliver a coherent narrative arc that grapples with fact and illusion, life and art and the way these opposites can get entangled.

We-Support Wednesday: Joel Hall Dancers & Center

Joel Hall Dancers & Center is building a brand new home that will continue in the traditions set by founder Joel Hall, and also create a welcoming space for individuals to share their voices, creativity, bravery and curiosity.

This Holiday season, you can come Home for the Hall-idays with JHDC in archival movie nights, family dinners, and more on their YouTube through November, with events celebrating Joel Hall's legacy and those whose shoulders we stand on, like Fred Benjamin and Lynn Simonson.

In addition to their regular class schedule in the Zoomiverse, they invite you to tune in for a free Masterclass with Joel Hall on December 11th in partnership with the Chicago Black Dance Legacy Project.

More information can be found on their website: www.joelhall.org

You can donate directly to Joel Hall Dancers & Center here!

We-Support Wednesday: Chicago Dance Crash

Photo by: Ashley Deran

Photo by: Ashley Deran

Photo by: Ashley Deran

Photo by: Ashley Deran

Chicago Dance Crash and Artistic Director Jessica Deahr are proud to premiere The Last First: Professional Dancemaking in 2020 Chicago a bouncing, 50-minute documentary telling the story of the Crash Performance Ensemble and creative staff negotiating today’s climate to create and film three new repertory works + getting a few things off their chests while they’re at it. 

The 50-minute film is interwoven with fully-produced new dance works that were created during the 2020 season and filmed in HD on the stage of the Beverly Arts Center in Chicago’s South Side. The new works include “Elastic” by Artistic Director Jessica Deahr with Rehearsal Director KC Bevis as well as “Show & Tell” by Milwaukee-based hip hop choreographer Jasper Sanchez. Additionally a brand new celebratory House section by Chicago-based Funk dancer Keeley Morris puts the finishing touches on Amirah Sackett’s work, “Sikeena.” 

The online screening will take place on November 13th, 7pm CST. Ticket-buyers will also have on demand access to the family-friendly film for 24 hours the following day. Tickets are $40 or $20 for students/industry available now at www.chicagodancecrash.com.  Proceeds from the virtual ticket sales will go to the “Keep Crash Moving” COVID Relief fund.     

You can also support Chicago Dance Crash directly through their website: www.chicagodancecrash.com/donate

We’d planned to debut three new works in July that specifically had a more direct hip hop feel to round out our current repertory,” says Deahr. “The live aspect of that obviously got shut down pretty fast but between pandemic life, the recent moves on spotlighting social injustices and the effects it’s all had on the entire Chicago performing arts industry it became clear the artists’ experiences in making these pieces became possibly as captivating as the works themselves. You’ll get an insider’s look, if not condensed, of not only Crash’s story but anecdotes from recent life in this great city.
— Artistic Director Jessica Deahr

Top Left: screenshot of film. Top Right: photo by Philamonjaro Studio. Bottom Left: photo by Philamonjaro Studio. Bottom Right: photo by Ashley Deran